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Mono bass fabfilter pro q21/3/2023 ![]() ![]() Lookahead & Attack – allow for a better transient control.ġ:1 Limiting – allows the user to raise the gain without raising the output volume. Here are some specs of each plugin as advertised on their websites, with a few pros and cons: But since both plugins advertise transparency on their websites, I decided to check how transparent they truly are so that all tests will be done with the Transparent curve engaged.įor better clarity, the images will show the waveforms before and after the limiter is added to visualize better what the plugin is doing to the sound.Īlso worth mentioning, whenever possible, I’ll use the same settings on both plugins, so we have a better view of their primary differences. and as the chain’s final step during masteringīy doing this, hopefully, you will understand the differences in each plugin clearly, how intuitive and efficient they are, and finally decide which is the better.īoth plugins have their own set of curves that add different processing to the audio.To compare both plugins, we’ll apply them to the same two tasks: Since a limiter is just a compressor with a very high ratio, you can handle these harder tasks. Limiting can be used during the mixing process to control the fastest transients of a vocal track that a compressor’s attack can’t handle. Since the limiter will push up the quieter parts of the audio and prevent the louder parts from getting even louder, you’ll end up with a consistent, dynamic-controlled sound you can blend back in with the unprocessed signal to achieve the perfect balance between compression and the instrument’s original character. You can also use a limiter to add parallel compression to a guitar track, for instance. A limiter can be added to a drum bus or percussion to reduce dynamics and bring these instruments forward. The most common uses are at the end of the mastering chain, to shape a track’s loudness, or for creative reasons during mixing. BUTE Limiter 2Ī limiter is a tool used in the audio industry since the late 1930s, originally to avoid distortion during a radio broadcast and later prevent loud peaks from making the needle jump during record pressing. ![]()
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